In the Nano Gallery
Pushing
the Envelope
April 25 - June 29, 2025
Wednesday - Sunday, 2:00 PM - 7:00 PM
Opening Celebration
Friday, April 25, 2025
7:00 - 9:00 PM
Artist Talk
Sunday, June 1, 2025
3:00 - 4:00 PM
Curatorial Tour & Closing Reception
Sunday, June 29, 2025
5:00 - 7:00 PM
Kirk Knoll
Shadows, 2024
Acrylic on recycled #10 windowed envelope
4.125"x 9.5"
$50
Featured Artist
Kirk Knoll
Curated by
Milan Warner
Quick Links
About the Exhibition
This series was born from a vision of life itself: at times, delicate and luminous, and at others, grotesque—so much so that we instinctively look away. Within the work, I’ve tried to hold space for both extremes, creating a visual tension between beauty and revulsion. That contrast feels essential, honest.
Several unincluded pieces depict views from a living room window—and represent the darker elements. They’re heavy and have not been included in this exhibit.
At its core, this series is also about empathy—how we absorb or ignore the brutality surrounding us. I’m exploring how society metabolizes horror, how we sometimes become indifferent to what should move us deeply.
In today’s cultural climate, where we see leaders attempting to rewrite or erase the past, I feel a responsibility to document, to remember. We must acknowledge where we’ve come from in order to avoid repeating the same atrocities.
April 25 - June 29, 2025
Wednesday - Sunday, 2:00 PM - 7:00 PM
In the Nano Gallery
Pushing the Envelope
Curated by
Milan Warner
Quick Links
Kirk Knoll
Death and Taxes (polyptych), 2024
Acrylic on recycled #10 windowed envelope
16.5"x 9.5"
$133
Featured Artist
Kirk Knoll
Kirk Knoll
Shadows, 2024
Acrylic on recycled #10 windowed envelope
4.125"x 9.5"
$50
Opening Celebration
April 25, 2025
7:00 - 9:00 PM
Artist Talk
Sunday, June 1, 2025
3:00 - 4:00 PM
Curatorial Tour & Closing Reception
June 29, 2025
5:00 - 7:00 PM
About the Exhibition
This series was born from a vision of life itself: at times, delicate and luminous, and at others, grotesque—so much so that we instinctively look away. Within the work, I’ve tried to hold space for both extremes, creating a visual tension between beauty and revulsion. That contrast feels essential, honest.
Several unincluded pieces depict views from a living room window—and represent the darker elements. They’re heavy and have not been included in this exhibit.
At its core, this series is also about empathy—how we absorb or ignore the brutality surrounding us. I’m exploring how society metabolizes horror, how we sometimes become indifferent to what should move us deeply.
In today’s cultural climate, where we see leaders attempting to rewrite or erase the past, I feel a responsibility to document, to remember. We must acknowledge where we’ve come from in order to avoid repeating the same atrocities.
April 25 - June 29, 2025
Wednesday - Sunday, 2:00 PM - 7:00 PM
In the Nano Gallery
Pushing the Envelope
Curated by
Milan Warner
Quick Links
Kirk Knoll
Death and Taxes (polyptych), 2024
Acrylic on recycled #10 windowed envelope
16.5"x 9.5"
$133
Featured Artist
Kirk Knoll
Mikael Colombu / Richard Trixson
RPG 006 - The First Mfers, 2022
Staples & Ink On Gicleé Print
47.25” x 19.84”
$5000
About the Exhibition
This series was born from a vision of life itself: at times, delicate and luminous, and at others, grotesque—so much so that we instinctively look away. Within the work, I’ve tried to hold space for both extremes, creating a visual tension between beauty and revulsion. That contrast feels essential, honest.
Several unincluded pieces depict views from a living room window—and represent the darker elements. They’re heavy and have not been included in this exhibit.
At its core, this series is also about empathy—how we absorb or ignore the brutality surrounding us. I’m exploring how society metabolizes horror, how we sometimes become indifferent to what should move us deeply.
In today’s cultural climate, where we see leaders attempting to rewrite or erase the past, I feel a responsibility to document, to remember. We must acknowledge where we’ve come from in order to avoid repeating the same atrocities.
Opening Celebration
April 25, 2025
7:00 - 9:00 PM
Artist Talk
Sunday, June 1, 2025
3:00 - 4:00 PM
Curatorial Tour & Closing Reception
June 29, 2025
5:00 - 7:00 PM
An emerging artist with ample life experience, Kirk Knoll, uses a familiar object that we interact with regularly throughout our lives — a number 10 window envelope to create work. His goal is to create tension between pleasure and pain, joy and melancholy, and the beautiful and the grotesque.
In his work, Knoll juxtaposes colorful, miniature paintings with various themes painted on envelopes, suggesting glimpses of life. Through this, he positions himself as a witness to both the beauty and horror of the world around him. The envelopes then instead carry messages on their outside, subverting their original purpose, which is to keep messages hidden within themselves. Knoll is therefore able to express blips of his internal dialogues about the world around him and his disdain for indifference. At the same time, however, Knoll paints about the sublime that life is able to offer. Honest and expressive, Knoll strives to push the boundaries of ideas as well as our perception of art media. Knoll believes that acknowledgment of our dark histories leads to the avoidance of repeating them. And so we are left with the question: how are humans able to show so much kindness and so much brutality all the same?
Milan Warner
Curator, Pushing the Envelope
Kirk Knoll
Fire Flower, 2024
Acrylic on recycled #10 windowed envelope
4.125"x 9.5"
$65
From
The Curator
From the
Curator
An emerging artist with ample life experience, Kirk Knoll, uses a familiar object that we interact with regularly throughout our lives — a number 10 window envelope to create work. His goal is to create tension between pleasure and pain, joy and melancholy, and the beautiful and the grotesque.
In his work, Knoll juxtaposes colorful, miniature paintings with various themes painted on envelopes, suggesting glimpses of life. Through this, he positions himself as a witness to both the beauty and horror of the world around him. The envelopes then instead carry messages on their outside, subverting their original purpose, which is to keep messages hidden within themselves. Knoll is therefore able to express blips of his internal dialogues about the world around him and his disdain for indifference. At the same time, however, Knoll paints about the sublime that life is able to offer. Honest and expressive, Knoll strives to push the boundaries of ideas as well as our perception of art media. Knoll believes that acknowledgment of our dark histories leads to the avoidance of repeating them. And so we are left with the question: how are humans able to show so much kindness and so much brutality all the same?
Milan Warner
Curator, Pushing the Envelope
Kirk Knoll
Fire Flower, 2024
Acrylic on recycled #10 windowed envelope
4.125"x 9.5"
$65
Artist
Biography
Artist
Kirk Knoll
Kirk Knoll is an artist based in Fairfax, Virginia, whose journey in the arts began in first grade during “art period” and grew through his years as a rock ‘n’ roll drummer. His earliest artistic memories involve drawing crude helicopters for his classmates, a childhood experience that sparked his lifelong passion for creating art and his addiction to reaction. Knoll's artistic style has evolved significantly over the years. Early on, he discovered a love for screen printing, which expanded his repertoire beyond his early pen and Sharpie drawings. Kirk Knoll is a rock n roll drummer turned visual artist. A veteran of the DC music scene in the 90’s he spent his early mornings playing in the Georgetown and Arlington bars and clubs. Recurring motifs in his work include flower blooms and skeletons, symbolizing the cycles of death and rebirth. His work is heavily influenced by pop art, with Andy Warhol's iconic pieces serving as a major inspiration. Additionally, Knoll infuses the punk energy of the music he loves into his paintings, drawing significant inspiration from bands like the Clash, Devo, and Rage Against the Machine. His talent and unique vision have earned him recognition in the art community, with his artwork being featured in a prominent art gallery in Santa Fe, New Mexico and boutiques in Santa Fe and Fairfax City, VA. He has been the featured artist in exhibits in Raleigh, NC and has done performance rock ‘n’ roll painting to live audiences. Today, Knoll works primarily in acrylics, which he uses to paint on miscellaneous surfaces such as canvas, cardboard, newspaper, and other found items. Knoll’s art easily bounces between whimsical and an irreverent denunciation of custom, tradition, practice, rule, and hypocrisy.
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2438 18th St. NW
Washington, DC 20009
We’re located on the second floor of the building on 18th Street above Mola Empanada and Shiva Tobacco. We’re in between the Jerk Pit and Code Red and located across the street from Tryst. We’re the center door on the ground floor.
Nearest Metro Station
Woodley Park-Zoo/Adams Morgan (Red Line)
Metrobus Routes
90, 92, or L2