About the Exhibition

Within a Dazzle is an invitation to view Qrcky’s signature portraiture work, which is defined by black and white stripes. To challenge viewer perception, Qrcky draws inspiration from the natural coloration of zebras and WW1 marine camouflage to explore themes of community and societal visibility within the Black diaspora. Qrcky’s work creates a ground for reflection regarding the complexity of human nature by looking to the individual human identity in conjunction with relationships. Through his work, Qrcky examines relationships from a personal to a cultural or societal scale.

From The Curator

A “pride” is a collective noun for a group of lions.

A “murder” is a collective noun for a group of crows.

A "dazzle" is a collective noun for a group of zebras.

Zebras developed a clever survival adaptation through their bold stripes by visually obscuring individual zebras so that a hunter would have difficulty going after and picking off a single member of the group. Unlike other forms of camouflage, the intention of the stripes is not to conceal, but rather to obscure. This clever optical illusion was then adopted by UK and US naval ships and used extensively during World War I, misleading enemies to the true directional course of naval ships. For zebras, the protection of their striped camouflage can only work as long as they are with other zebras. Being part of a dazzle means to protect and be protected.

Within a Dazzle is an invitation to view Qrcky’s signature portraiture work defined by black and white stripes. To challenge viewer perception, Qrcky draws inspiration from the natural coloration of zebras and WW1 marine camouflage to explore themes of community and societal visibility within the Black diaspora. Qrcky’s work creates a ground for reflection regarding the complexity of human nature by looking to the individual human identity in conjunction with relationships. Through his work, Qrcky examines relationships from a personal to a grander cultural or societal scale.

Throughout his work, Qrcky has sprinkled in the people in his life, like his son or his ex-partner, in the form of portraits, suggesting much introspection and consideration within his interpersonal relationships. The portraits then become a stand-in for monuments for the people in Qrcky’s personal life and the people in the Black community. Often painted with their eyes closed, the subjects of his paintings give off a serene, mystical quality, yet at the same time, the stripes their bodies are covered in bring movement and liveliness into each painting. They become immortalized, both visible yet at some level concealed. Much like zebras, individuals, although uniquely shaped, contribute to keeping the community whole and safe. Qrcky’s desire to nurture and safeguard his community, along with preserving their memory, bleeds through into the entirety of his work.

As human beings, we need to lean on one another during difficult times and share life's joys and beauties. With the presence of community, we can pass on historical narratives, share wisdom, and protect our most vulnerable members. We hope with this exhibition, Qrcky inspires people to want to become a part of a dazzle and to share their life with those who want to share theirs with you.