NANO GALLERY
The DC Arts Center Presents
Family Ties: Thingumabob Self-Portraits
January 9 - March 14, 2026
Wednesday - Sunday 2:00 PM - 7:00 PM
Opening Celebration
Friday, January 9, 2026
7:00 - 9:00 PM
Artist Talk
Saturday, February 28, 2026
3:00 - 4:00 PM
Curatorial Tour & Closing Reception
Saturday, March 14, 2026
6:00 - 8:00 PM
Hyunsuk Erickson
In The Jungle 1, 2025
Colored pencil and ink
13” x 13” framed
Curated by
Thu Anh Nguyen
Featured Artists
Hyunsuk Erickson
Quick Links
About the Exhibition
Family Ties: Thingumamob Self-Portraits by Hyunsuk Erickson features multimedia drawings of her Thingumabob sculptures. The “Thingumabob” is a collective, reflective of each figure's own lived, cultural experience of confusion of identity, and adaptation in a melting pot society. Consider that the Thingumabob sculptures are a community made with traditional fiber arts techniques, ceramic, wood, PVC, and repurposed materials–these drawings of ink, colored pencil, and marker are their portraits of themselves. Each portrait highlights what is unique about the Thingumabobs: their undulating and colorful shapes, and the way they form different intergenerational tribes. The self-portraits are also an incomplete snapshot of a Thingumabob in action; they continue beyond the frame, and their stories are still evolving. Although these are self-portraits, no Thingumabob is alone, and many overlap. These self-portraits, like their sculptural counterparts, are a reminder of the interconnectedness within and between communities.
Gallery Shot of Family Ties: Thingumabob Self-Portraits
Currently on display at The DC Arts Center
Curated by Thu Anh Nguyen
Work by Hyunsuk Erickson
January 9 - March 14, 2026
Wednesday - Sunday 2:00 PM - 7:00 PM
NANO GALLERY / The DC Arts Center Presents
Family Ties:
Thingumabob Self-Portraits
Curated by
Thu Anh Nguyen
Quick Links
Gallery Shot of Family Ties: Thingumabob Self-Portraits
Currently on display at The DC Arts Center
Curated by Thu Anh Nguyen
Work by Hyunsuk Erickson
Featured Artist
Hyunsuk Erickson
Hyunsuk Erickson
In The Jungle 1, 2025
Colored pencil and ink
13” x 13” framed
Opening Celebration
Friday, January 9, 2026
7:00 - 9:00 PM
Artist Talk
Saturday, February 28, 2026
3:00 - 4:00 PM
Curatorial Tour & Closing Reception
Saturday, March 14, 2026
6:00 PM - 8:00 PM
About the Exhibition
Family Ties: Thingumamob Self-Portraits by Hyunsuk Erickson features multimedia drawings of her Thingumabob sculptures. The “Thingumabob” is a collective, reflective of each figure's own lived, cultural experience of confusion of identity, and adaptation in a melting pot society. Consider that the Thingumabob sculptures are a community made with traditional fiber arts techniques, ceramic, wood, PVC, and repurposed materials–these drawings of ink, colored pencil, and marker are their portraits of themselves. Each portrait highlights what is unique about the Thingumabobs: their undulating and colorful shapes, and the way they form different intergenerational tribes. The self-portraits are also an incomplete snapshot of a Thingumabob in action; they continue beyond the frame, and their stories are still evolving. Although these are self-portraits, no Thingumabob is alone, and many overlap. These self-portraits, like their sculptural counterparts, are a reminder of the interconnectedness within and between communities.
January 9 - March 14, 2026
Wednesday - Sunday 2:00 PM - 7:00 PM
NANO GALLERY / The DC Arts Center Presents
Family Ties: Thingumabob Self-Portraits
Curated by
Thu Anh Nguyen
Quick Links
Featured Artists
Hyunsuk Erickson
Hyunsuk Erickson
In The Jungle 1, 2025
Colored pencil and ink
13” x 13” framed
About the Exhibition
Family Ties: Thingumamob Self-Portraits by Hyunsuk Erickson features multimedia drawings of her Thingumabob sculptures. The “Thingumabob” is a collective, reflective of each figure's own lived, cultural experience of confusion of identity, and adaptation in a melting pot society. Consider that the Thingumabob sculptures are a community made with traditional fiber arts techniques, ceramic, wood, PVC, and repurposed materials–these drawings of ink, colored pencil, and marker are their portraits of themselves. Each portrait highlights what is unique about the Thingumabobs: their undulating and colorful shapes, and the way they form different intergenerational tribes. The self-portraits are also an incomplete snapshot of a Thingumabob in action; they continue beyond the frame, and their stories are still evolving. Although these are self-portraits, no Thingumabob is alone, and many overlap. These self-portraits, like their sculptural counterparts, are a reminder of the interconnectedness within and between communities.
Opening Celebration
Friday, January 9, 2026
7:00 - 9:00 PM
Artist Talk
Saturday, February 28, 2026
3:00 - 4:00 PM
Curatorial Tour & Closing Reception
Saturday, March 14, 2026
6:00 PM - 8:00 PM
Gallery Shot of Family Ties: Thingumabob Self-Portraits
Currently on display at The DC Arts Center
Curated by Thu Anh Nguyen
Work by Hyunsuk Erickson
Welcome to the Thingumabob Family, which features artist Hyunsuk Erickson’s multimedia drawings of her Thingumabob sculptures. Erickson considers each drawing a self-portrait created by a Thingumabob as their own artistic representation of themselves, exploring their personalities and inner worlds.
The self-portraits presented together can also be considered family portraits that capture the Thingumabobs as a group, emphasizing their connection, legacy, and shared memories. Renowned artists, both celebrated and obscure, have undertaken the task of immortalising these familial bonds on canvas. Painted family portraits have been an important and venerated tradition throughout history. These artworks not only capture the likeness of a family but also provide glimpses into the lives and values of the individuals portrayed.
Once family photography became more affordable, practical, and widely available than sitting for portraiture, gallery walls of favorite family photos became popular. Imagine yourself walking the halls of the Thingumabob home and coming across this collection of family portraits, creating a visual timeline of memories to be enjoyed daily. The family has selected its most significant photos, chosen the frames, planned the layout, and hung them to tell the Thingumabob story. On some walls, you see the family trip to the jungle, on another, the way younger Thingumabob’s have grown over the years, and all the important configurations and celebrations of Thingumabob life.
Family Ties: Thingumabob Self Portraits asks us to consider how far we’ve come, with whom and how we have spent our time, and ultimately, what memories are worth keeping.
Thu Anh Nguyen
Curator, One Thread, Many Bodies: The Thingumabob Community
Gallery Shot of One Thread, Many Bodies: The Thingumabob Community
Currently on display at The DC Arts Center
Curated by Thu Anh Nguyen
Work by Hyunsuk Erickson
From
The Curator
From the
Curator
Welcome to the Thingumabob Family which features artist Hyunsuk Erickson’s multimedia drawings of her Thingumabob sculptures. Erickson considers each drawing a self-portrait created by a Thingumabob as their own artistic representation of themselves, exploring their personalities and inner worlds.
The self-portraits presented together can also be considered family portraits that capture the Thingumabobs as a group, emphasizing their connection, legacy, and shared memories. Renowned artists, both celebrated and obscure, have undertaken the task of immortalising these familial bonds on canvas.Painted family portraits have been an important and venerated tradition throughout history. These artworks not only capture the likeness of a family but also provide glimpses into the lives and values of the individuals portrayed.
Once family photography became more affordable, practical, and widely available than sitting for portraiture, gallery walls of favorite family photos became popular. Imagine yourself walking the halls of the Thingumabob home, and coming across this collection of family portraits, creating a visual timeline of memories to be enjoyed daily. The family has selected its most significant photos, chosen the frames, planned the layout, and hung them to tell the Thingumabob story. On some walls, you see the family trip to the jungle, on another, the way younger Thingumabob’s have grown over the years, and all the important configurations and celebrations of Thingumabob life.
Family Ties: Thingumabob Self Portraits asks us to consider how far we’ve come, with whom and how we have spent our time, and ultimately, what memories are worth keeping.
Curator, Family Ties:
Thingumabob Self-Portraits
Hyunsuk Erickson
Activation 1 - 2, 2025
Colored pencil, ink, and marker
9” x 11” framed
Artist
Biography
Artist
Hyunsuk Erickson
-
Hyunsuk Erickson (b. Korea) is a Korean-American multidisciplinary artist working primarily in fiber-based sculpture and installation. Shaped by her experiences as an immigrant, a mother, and her upbringing on a family farm in Korea, her practice explores cultural hybridity, consumerism, and environmental sustainability. Through material-driven inquiry, Erickson examines relationships between people, objects, and the environments they inhabit.
Her ongoing project, Thingumabob World, creates immersive sculptural ecosystems that combine traditional fiber techniques—crochet, knotting, and embroidery—with ceramics, wood, PVC, and discarded plastics. These hybrid forms balance opposing forces: soft and structured, organic and synthetic, playful and critical. Using an intuitive, process-based approach, Erickson repurposes overlooked materials to challenge consumer culture while imagining systems of ecological care and renewal.
Erickson has presented solo exhibitions at IA&A at Hillyer (Washington, DC), Burlington City Arts (VT), 636 Art Gallery (Seoul), the Kreeger Museum (DC), Katzen Arts Center (DC), Sandy Spring Museum (MD), and Creative Alliance (Baltimore). Her work is held in public collections, including the Korean Ministry of Environment and the Korean Gas Safety Corporation.
She has participated in artist residencies at Anderson Ranch Arts Center, Vermont Studio Center, the Banff Centre for Arts and Creativity, and Meteora Artist Residency in Greece. Erickson is based in the Washington, DC area.
Curator
Biography
Curator
Thu Anh Nguyen
-
Thu Anh Nguyen is a Vietnamese Floridian whose parents did not settle in the United States until they found land (and humidity!) that could grow the same fruits as they did in Vietnam. Every story Thu tells as a poet, painter, and educator is in part that immigration story; therefore, Thu’s work centers equity, justice, and community. As a teacher for 15 years, and as a social justice facilitator presently, Thu explores identity and art, and the revolutionary and reparative movements and practices that they engender.
In her most recent social practice art for institutions such as UMMA, and the High Desert Museum, Thu shapes poetry while listening to conversations about what makes a flourishing community. These conversations often take place in relation to art that Thu has created for the occasion. Thu paints large-scale watercolors and is obsessed with flowers, their symbolism, and beauty. She has painted hundreds of floral protest posters for social justice movements such as Black Lives Matter and Say Her Name. Thu’s floral murals capture the voices of AANHPI women at Gallery Y in D.C., the Asian American community at Amphibian Stage in Fort Worth, TX, and the diversity of the DMV at Culture House.
Thu recently wrote the Reading Guide for Ocean Vuong’s award-winning book The Emperor of Gladness. Thu is also a Pushcart Prize-nominated poet whose poetry explores the intersections and tensions between her Vietnamese and American identities. Her writing has been published in journals such as Literacy Today, the Southern Humanities Review, the Cider Press Review, and the Crab Orchard Review. You may find examples of her work at thuanhnguyen.com
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2438 18th St. NW
Washington, DC 20009
We’re located on the second floor of the building on 18th Street above Mola Empanada and Shiva Tobacco. We’re in between the Jerk Pit and Code Red and located across the street from Tryst. We’re the center door on the ground floor.
Nearest Metro Station
Woodley Park-Zoo/Adams Morgan (Red Line)
Metrobus Routes
C51, C53, D72, D74