MAIN GALLERY
The Weight
of Softness
September 19 - October 10, 2025
Wednesday - Sunday 2:00 PM - 7:00 PM
Opening Celebration
Friday, Sept. 19, 2025
7:00 - 9:00 PM
Curatorial Tour & Artist Talk
Saturday, Sept. 27, 2025
3:00 - 5:00 PM
Closing Reception
Friday, October 10, 2025
7:00 - 8:00 PM
Taryn Harris
Voyeur, WIP 2020 - Present
Acrylic on Canvas
Curated by
Tyryn Goodson-Seck
Featured Artists
Asia Anderson
Jessica Cherry
Taryn Harris
Kamilah House
Quick Links
About the Exhibition
The Weight of Softness is an exhibition about love as liberation—embracing its fullness: joy, fear, confusion, and clarity—and affirming that the softest parts of us often carry the greatest weight. For Black women, softness has long been coded as weakness, yet in truth it is a radical force: a site of power, a strategy of survival, and a source of beauty.
This exhibition gathers the work of Black women and femme-identifying artists whose practices illuminate love as an expansive, transformative act. Their paintings, mixed media works, and sculptures testify to the power of intimacy — the closeness of family, the vulnerability of partnership, the continuity of ancestry, and the sustenance of community. By centering softness, they remind us that tenderness is not the opposite of strength but its foundation.
The artists here render softness in many forms: the quiet intimacy of a mother and child, the embrace of lovers, the abstraction of color and form that gestures toward care and connection. Some works take on the tactile layers of fabric, stitched surfaces, folds, and textures that recall the labor of care and the adornment of the body. Others lean into the symbolic, transforming the very idea of being held, supported, or uplifted into visual form.
For Black women, softness has never been an indulgence; it is a radical gesture in a world that too often denies it. In these works, softness is weighty because it holds memory, lineage, and the capacity to imagine futures that are freer and more loving. Here, softness is not a retreat from struggle but a way of moving through it—constantly shaping and reshaping what liberation looks like.
The Weight of Softness honors love as a transformative force: one that sustains families, builds communities, and endures across generations. By embracing the paradox of strength within vulnerability, the exhibition invites us to reconsider how softness carries us, liberates us, and ultimately remakes us.
Asia Anderson
Sleeping Boy 1 (At Peace), 2024
Watercolor on paper
9” x 12”
$750
September 19 - October 10, 2025
Wednesday - Sunday 2:00 PM - 7:00 PM
MAIN GALLERY
The Weight of Softness
Curated by
Tyryn Goodson-Seck
Quick Links
Asia Anderson
Sleeping Boy 1 (At Peace), 2024
Watercolor on paper
9” x 12”
$750
Featured Artists
Asia Anderson
Jessica Cherry
Taryn Harris
Kamilah House
Taryn Harris
Voyeur, WIP 2020 - Present
Acrylic on Canvas
Opening Celebration
Friday, Sept. 19, 2025
7:00 - 9:00 PM
Curatorial Tour & Artist Talk
Saturday, Sept. 27, 2025
3:00 - 5:00 PM
Closing Reception
Friday, October 10, 2025
7:00 - 8:00 PM
About the Exhibition
The Weight of Softness is an exhibition about love as liberation—embracing its fullness: joy, fear, confusion, and clarity—and affirming that the softest parts of us often carry the greatest weight. For Black women, softness has long been coded as weakness, yet in truth it is a radical force: a site of power, a strategy of survival, and a source of beauty.
This exhibition gathers the work of Black women and femme-identifying artists whose practices illuminate love as an expansive, transformative act. Their paintings, mixed media works, and sculptures testify to the power of intimacy — the closeness of family, the vulnerability of partnership, the continuity of ancestry, and the sustenance of community. By centering softness, they remind us that tenderness is not the opposite of strength but its foundation.
The artists here render softness in many forms: the quiet intimacy of a mother and child, the embrace of lovers, the abstraction of color and form that gestures toward care and connection. Some works take on the tactile layers of fabric, stitched surfaces, folds, and textures that recall the labor of care and the adornment of the body. Others lean into the symbolic, transforming the very idea of being held, supported, or uplifted into visual form.
For Black women, softness has never been an indulgence; it is a radical gesture in a world that too often denies it. In these works, softness is weighty because it holds memory, lineage, and the capacity to imagine futures that are freer and more loving. Here, softness is not a retreat from struggle but a way of moving through it—constantly shaping and reshaping what liberation looks like.
The Weight of Softness honors love as a transformative force: one that sustains families, builds communities, and endures across generations. By embracing the paradox of strength within vulnerability, the exhibition invites us to reconsider how softness carries us, liberates us, and ultimately remakes us.
September 19 - October 10, 2025
Wednesday - Sunday 2:00 PM - 7:00 PM
MAIN GALLERY
The Weight of Softness
Curated by
Tyryn Goodson-Seck
Quick Links
Featured Artists
Asia Anderson
Jessica Cherry
Taryn Harris
Kamilah House
Kamilah House
Woman Unconditionally, 2025
Mixed-media on canvas
48” x 24”
About the Exhibition
The Weight of Softness is an exhibition about love as liberation—embracing its fullness: joy, fear, confusion, and clarity—and affirming that the softest parts of us often carry the greatest weight. For Black women, softness has long been coded as weakness, yet in truth it is a radical force: a site of power, a strategy of survival, and a source of beauty.
This exhibition gathers the work of Black women and femme-identifying artists whose practices illuminate love as an expansive, transformative act. Their paintings, mixed media works, and sculptures testify to the power of intimacy — the closeness of family, the vulnerability of partnership, the continuity of ancestry, and the sustenance of community. By centering softness, they remind us that tenderness is not the opposite of strength but its foundation.
The artists here render softness in many forms: the quiet intimacy of a mother and child, the embrace of lovers, the abstraction of color and form that gestures toward care and connection. Some works take on the tactile layers of fabric, stitched surfaces, folds, and textures that recall the labor of care and the adornment of the body. Others lean into the symbolic, transforming the very idea of being held, supported, or uplifted into visual form.
For Black women, softness has never been an indulgence; it is a radical gesture in a world that too often denies it. In these works, softness is weighty because it holds memory, lineage, and the capacity to imagine futures that are freer and more loving. Here, softness is not a retreat from struggle but a way of moving through it—constantly shaping and reshaping what liberation looks like.
The Weight of Softness honors love as a transformative force: one that sustains families, builds communities, and endures across generations. By embracing the paradox of strength within vulnerability, the exhibition invites us to reconsider how softness carries us, liberates us, and ultimately remakes us.
Opening Celebration
Friday, Sept. 19, 2025
7:00 - 9:00 PM
Curatorial Tour & Artist Talk
Saturday, Sept. 27, 2025
3:00 - 5:00 PM
Closing Reception
Friday, October 10, 2025
7:00 - 8:00 PM
Asia Anderson
Sleeping Boy 1 (At Peace), 2024
Watercolor on paper
9” x 12”
$750
Softness carries weight. It is often misread as fragility, but in truth, it holds power. For Black women, softness has always been double-edged — tender and nurturing, yet radical and resistant. To be soft in a world that demands hardness is an act of defiance, a form of liberation.
The Weight of Softness emerges from this paradox. The works in this exhibition embrace the fullness of love: its joys and fears, its clarity and confusion, its embrace of struggle and its capacity to multiply. Love, like softness, is not simple — it holds contradiction, it carries history, and it sustains life.
In these pieces, we see softness made visible: in the body of a mother holding her child, in the folds of fabric that echo labor and adornment, in the abstraction of color and form that conjures being held or uplifted. These works invite us to experience love not as perfection but as practice, as the daily work of carrying and being carried.
As a curator, my inspiration comes from witnessing love expand within my own life and community. Yet this exhibition is not just personal — it is recognition of the countless ways Black women have carried love forward as an enduring force of liberation. To stand inside The Weight of Softness is to witness tenderness as resilience, vulnerability as strength, and love as the very ground of our freedom.
Tyryn Goodson-Seck
Curator, The Weight of Softness
Jessica Cherry
Collisions of Frames (2), 2024
Acrylic, modeling paste, pastels, fabric and string on wood board
108” x24”
From
The Curator
From the
Curator
Softness carries weight. It is often misread as fragility, but in truth, it holds power. For Black women, softness has always been double-edged — tender and nurturing, yet radical and resistant. To be soft in a world that demands hardness is an act of defiance, a form of liberation.
The Weight of Softness emerges from this paradox. The works in this exhibition embrace the fullness of love: its joys and fears, its clarity and confusion, its embrace of struggle and its capacity to multiply. Love, like softness, is not simple — it holds contradiction, it carries history, and it sustains life.
In these pieces, we see softness made visible: in the body of a mother holding her child, in the folds of fabric that echo labor and adornment, in the abstraction of color and form that conjures being held or uplifted. These works invite us to experience love not as perfection but as practice, as the daily work of carrying and being carried.
As a curator, my inspiration comes from witnessing love expand within my own life and community. Yet this exhibition is not just personal — it is recognition of the countless ways Black women have carried love forward as an enduring force of liberation. To stand inside The Weight of Softness is to witness tenderness as resilience, vulnerability as strength, and love as the very ground of our freedom.
Tyryn Goodson-Seck
Curator, The Weight of Softness
Jessica Cherry
Collisions of Frames (2), 2024
Acrylic, modeling paste, pastels, fabric and string on wood board
108” x24”
Artist
Biographies
Artist
Asia Anderson
-
Asia Anderson is an artist and art educator based in Woodbridge, Virginia. She specializes in portraiture and nature, often combining the two to explore themes of childhood, womanhood, and motherhood. Her work frequently draws inspiration from her own children, niece, and nephew, creating deeply personal and evocative pieces.
Originally from Richmond, Virginia, Asia attended Virginia Commonwealth University, where she studied Sculpture until her junior year. After relocating to Northern Virginia, she taught herself to paint and officially began her professional painting journey in 2022. She founded Marigold Art Studio, where her artistic career has since blossomed.
Artist
Jessica Cherry
-
Jessica Cherry (she/her) is a multidisciplinary artist with an M.F.A from the Maryland Institute College of Art and Design (MICA). Originally from the Bronx, NY, she resides in Maryland and works as a museum educator in Washington, DC. Cherry's work often explores the intersections of emotions, communication, and the uncanny, using painting, sculpture, and mixed media to unravel the complexities of human experience. Her practice challenges perceptions of reality, inviting viewers to engage with the subtleties of emotion and interactions while exploring the human condition.
Artist
Kamilah House
-
Kamilah House is a visual artist and writer whose practice spans mixed media, collage, poetry and watercolor to explore Black identity, memory, and intergenerational resilience. Drawing from her Bahamian-American heritage and international upbringing, House creates work that centers the lives and humanity of Black women navigating a shifting political landscape.
Her debut solo exhibition, Like Water to the Sun, held at Hood College in 2023, featured works reflecting on the lives and inner worlds of Black women in the aftermath of the 2020 protests. Through layered textures and intimate symbolism, the exhibition examined how Black survival and resistance recur in American political and cultural cycles—each time demanding new forms of mourning, care, and renewal.
Based in the Washington, D.C. area, House continues to build a visual language that honors legacy, community, and the sacred labor of Black womanhood. She shares her work on Instagram at @kohouseart.
Curator
Biography
Curator
Tyryn Goodson-Seck
Tyryn Goodson-Seck is a curator, writer, and cultural organizer guided by the belief that art is one of love’s purest languages. His work moves at the intersections of creativity, community, and liberation, centering Black art as a vessel for resilience and imagination.
Through his curatorial practice, Goodson-Seck highlights the ways Black women and femme-identifying artists expand our understanding of tenderness, intimacy, and strength. The Weight of Softness reflects his ongoing exploration of how vulnerability can be a radical force, how softness carries weight, and how love liberates us in its many forms.
way it is shown to us, the way we show it back, and the way it grows beyond us. To stand in this gallery is to stand inside love’s embrace: layered, vulnerable, radiant, and free.
Artist
Taryn Harris
-
Taryn is a painter, muralist, and singer working in Prince George's County and Washington D.C. Since studying art, chemistry, and poetry at the University of Maryland, she has continued her exploration of abstraction through her studio practice, by working as an assistant to local artists, and as a museum docent and preparator.
Citing the improvisational traditions of jazz, abstract painting, language poetry, and meditation among ideologies that influenced her artistic development, her growing collection of works often forgoes image in favor of the most visceral interactions between colors, shapes, and textures.
Taking cues from abstractionists like Mildred Thompson, Gertrude Stein, Sam Gilliam, Joan Mitchell, Clyfford Still, Kandinsky, and others, she follows the age-old tradition of exploring both the individual and the collective consciousness through a painter's lens.
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2438 18th St. NW
Washington, DC 20009
We’re located on the second floor of the building on 18th Street above Mola Empanada and Shiva Tobacco. We’re in between the Jerk Pit and Code Red and located across the street from Tryst. We’re the center door on the ground floor.
Nearest Metro Station
Woodley Park-Zoo/Adams Morgan (Red Line)
Metrobus Routes
C51, C53, D72, D74