MAIN GALLERY
The DC Arts Center Presents
Where It Lands:
The Space Between
June 12 – July 9, 2026
Wednesday - Sunday 2:00 PM - 7:00 PM
Opening Celebration
Friday, June 12, 2026
7:00 - 9:00 PM
Artist Talk & Curatorial Tour
Saturday, June 27, 2026
3:00 - 5:00 PM
RSVP Today!
Closing Reception
Thursday, July 9, 2026
6:00 - 7:00 PM
Nolan Noble
#86, 2025
Acrylic with acrylic wash on bleached denim harvested from jeans with denim remnants
30” x 40" x 3"
$5000
Curated by
Dr. Lauren Davidson
Work by
Michèle Colburn
Charles Jean-Pierre
Bryan Jernigan
Nolan Noble
Dina AZ. Salem
Quick Links
About the Exhibition
Where It Lands: The Space Between brings together a group of contemporary artists whose practices move between abstract painting and materially layered surfaces, creating works that are as tactile as they are visually immersive. Across the exhibition, paint is built, interrupted, and extended, interacting with embedded materials, fragments, and textures that transform the canvas into a site of accumulation and presence.
Working within a moment shaped by societal uncertainty, the artists resist the urge to resolve or define. Instead, their works dwell in ambiguity, offering abstraction as a language through which emotion can surface without constraint. A canvas may reveal veils of translucent color interrupted by raw, collaged elements—paper, fabric, or industrial materials—that disrupt the illusion of flatness and insist on the work’s physicality. Elsewhere, dense, gestural marks accumulate into fields of color that feel both charged and restrained, suggesting states of urgency, reflection, or quiet unrest.
Color operates as a connective force throughout the exhibition, guiding the viewer through shifting emotional registers. In some works, soft tonal gradients create a sense of atmospheric calm, while in others, saturated hues collide or bleed into one another, producing visual tension and movement. These chromatic decisions are not merely aesthetic; they carry emotional weight, shaping how each work is experienced and felt.
Materiality further anchors the exhibition. Surfaces are layered, scraped, and reworked, revealing traces of process and time. The inclusion of varied materials—whether subtle or pronounced—extends the language of painting, blurring the line between image and object. These works invite close looking, asking viewers to consider not only what is seen, but how it is constructed. Begging answers to the questions: Is there a past? Is there a future? What lies in the space between them and the art?
Rather than offering fixed narratives or definitive meaning, Where It Lands: The Space Between creates a space for contemplation and wonder. It encourages viewers to move slowly, to sit with what resists immediate understanding, and to engage with abstraction as a deeply human and responsive form. In this space between meaning and emotion, each encounter becomes personal—shaped by memory, sensation, and the quiet act of looking.
Charles Jean-Pierre
Black Skin White Mask II, 2025
Acrylic collage on canvas
30” x 30”
$8000
June 12 – July 9, 2026
Wednesday - Sunday / 2:00 PM - 7:00 PM
MAIN GALLERY / The DC Arts Center Presents
Where It Lands:
The Space Between
Curated by
Dr. Lauren Davidson
Quick Links
Charles Jean-Pierre
Black Skin White Mask II, 2025
Acrylic collage on canvas
30” x 30”
$8000
Work by
Michèle Colburn
Charles Jean-Pierre
Bryan Jernigan
Nolan Noble
Dina AZ. Salem
Nolan Noble
#86, 2025
Acrylic with acrylic wash on bleached denim harvested from jeans with denim remnants
30” x 40" x 3"
$5000
Opening Celebration
Friday, June 12, 2026
7:00 - 9:00 PM
Artist Talk & Curatorial Tour
Saturday, June 27, 2026
3:00 - 5:00 PM
RSVP Today!
Closing Reception
Thursday, July 9, 2026
6:00 PM - 7:00 PM
About the Exhibition
Where It Lands: The Space Between brings together a group of contemporary artists whose practices move between abstract painting and materially layered surfaces, creating works that are as tactile as they are visually immersive. Across the exhibition, paint is built, interrupted, and extended, interacting with embedded materials, fragments, and textures that transform the canvas into a site of accumulation and presence.
Working within a moment shaped by societal uncertainty, the artists resist the urge to resolve or define. Instead, their works dwell in ambiguity, offering abstraction as a language through which emotion can surface without constraint. A canvas may reveal veils of translucent color interrupted by raw, collaged elements—paper, fabric, or industrial materials—that disrupt the illusion of flatness and insist on the work’s physicality. Elsewhere, dense, gestural marks accumulate into fields of color that feel both charged and restrained, suggesting states of urgency, reflection, or quiet unrest.
Color operates as a connective force throughout the exhibition, guiding the viewer through shifting emotional registers. In some works, soft tonal gradients create a sense of atmospheric calm, while in others, saturated hues collide or bleed into one another, producing visual tension and movement. These chromatic decisions are not merely aesthetic; they carry emotional weight, shaping how each work is experienced and felt.
Materiality further anchors the exhibition. Surfaces are layered, scraped, and reworked, revealing traces of process and time. The inclusion of varied materials—whether subtle or pronounced—extends the language of painting, blurring the line between image and object. These works invite close looking, asking viewers to consider not only what is seen, but how it is constructed. Begging answers to the questions: Is there a past? Is there a future? What lies in the space between them and the art?
Rather than offering fixed narratives or definitive meaning, Where It Lands: The Space Between creates a space for contemplation and wonder. It encourages viewers to move slowly, to sit with what resists immediate understanding, and to engage with abstraction as a deeply human and responsive form. In this space between meaning and emotion, each encounter becomes personal—shaped by memory, sensation, and the quiet act of looking.
June 12 – July 9, 2026
Wednesday - Sunday / 2:00 PM - 7:00 PM
MAIN GALLERY / The DC Arts Center Presents
Where It Lands:
The Space Between
Curated by
Dr. Lauren Davidson
Quick Links
Work by
Michèle Colburn
Charles Jean-Pierre
Bryan Jernigan
Nolan Noble
Dina AZ. Salem
Nolan Noble
#86, 2025
Acrylic with acrylic wash on bleached denim harvested from jeans with denim remnants
30” x 40" x 3"
$5000
About the Exhibition
Where It Lands: The Space Between brings together a group of contemporary artists whose practices move between abstract painting and materially layered surfaces, creating works that are as tactile as they are visually immersive. Across the exhibition, paint is built, interrupted, and extended, interacting with embedded materials, fragments, and textures that transform the canvas into a site of accumulation and presence.
Working within a moment shaped by societal uncertainty, the artists resist the urge to resolve or define. Instead, their works dwell in ambiguity, offering abstraction as a language through which emotion can surface without constraint. A canvas may reveal veils of translucent color interrupted by raw, collaged elements—paper, fabric, or industrial materials—that disrupt the illusion of flatness and insist on the work’s physicality. Elsewhere, dense, gestural marks accumulate into fields of color that feel both charged and restrained, suggesting states of urgency, reflection, or quiet unrest.
Color operates as a connective force throughout the exhibition, guiding the viewer through shifting emotional registers. In some works, soft tonal gradients create a sense of atmospheric calm, while in others, saturated hues collide or bleed into one another, producing visual tension and movement. These chromatic decisions are not merely aesthetic; they carry emotional weight, shaping how each work is experienced and felt.
Materiality further anchors the exhibition. Surfaces are layered, scraped, and reworked, revealing traces of process and time. The inclusion of varied materials—whether subtle or pronounced—extends the language of painting, blurring the line between image and object. These works invite close looking, asking viewers to consider not only what is seen, but how it is constructed. Begging answers to the questions: Is there a past? Is there a future? What lies in the space between them and the art?
Rather than offering fixed narratives or definitive meaning, Where It Lands: The Space Between creates a space for contemplation and wonder. It encourages viewers to move slowly, to sit with what resists immediate understanding, and to engage with abstraction as a deeply human and responsive form. In this space between meaning and emotion, each encounter becomes personal—shaped by memory, sensation, and the quiet act of looking.
Opening Celebration
Friday, June 12, 2026
7:00 - 9:00 PM
Artist Talk & Curatorial Tour
Saturday, June 27, 2026
3:00 - 5:00 PM
RSVP Today!
Closing Reception
Thursday, July 9, 2026
6:00 PM - 7:00 PM
Charles Jean-Pierre
Black Skin White Mask II, 2025
Acrylic collage on canvas
30” x 30”
$8000
Where It Lands brings together artists working across abstraction and assemblage, whose practices converge through a shared engagement with color, materiality, and emotional resonance. Moving between abstract painting and subtly constructed surfaces, these works expand the language of the canvas, layering paint with diverse materials to create compositions that hold both visual and tactile depth.
Emerging within a moment defined by widespread uncertainty—social, political, and personal—these works reflect varied responses to instability. The artists move between resisting and pursuing definition, some embracing ambiguity, while others seek to give form to what feels unresolved. In this way, abstraction becomes both a space of openness and a means of articulation, allowing complexity and emotional nuance to coexist.
Materiality plays a central role in this exploration. Layered surfaces, textures, and embedded elements carry traces of accumulation and transformation, grounding each work in a tactile reality. Paint is not simply applied, but built, often interacting with materials that interrupt, extend, or deepen the surface. Color operates as both structure and sensation, shifting across the exhibition in varied tones, guiding the emotional cadence of the viewer’s experience.
Across the exhibition, these works invite close looking and sustained engagement. Subtle shifts in tone, density, and surface reveal themselves over time, encouraging viewers to move beyond first impressions and into a more contemplative encounter. The interplay between control and spontaneity, structure and disruption, reflects not only artistic process but also the broader conditions of the present moment.
Rather than offering fixed meanings or definitive conclusions, Where It Lands creates a space for contemplation and wonder. It invites viewers to slow down and engage abstraction as a site where meaning and emotion remain in dynamic relation. Here, interpretation is not prescribed but discovered, shaped by the work itself and the lived experiences we bring to it.
Dr. Lauren Davidson
Curator, Where It Lands: The Space Between
Dina AZ. Salem
Mirroring Collision, 2026
Acrylic on attached canvases
36" x 48"
$3000
From
The Curator
From the
Curator
Where It Lands brings together artists working across abstraction and assemblage, whose practices converge through a shared engagement with color, materiality, and emotional resonance. Moving between abstract painting and subtly constructed surfaces, these works expand the language of the canvas, layering paint with diverse materials to create compositions that hold both visual and tactile depth.
Emerging within a moment defined by widespread uncertainty—social, political, and personal—these works reflect varied responses to instability. The artists move between resisting and pursuing definition, some embracing ambiguity, while others seek to give form to what feels unresolved. In this way, abstraction becomes both a space of openness and a means of articulation, allowing complexity and emotional nuance to coexist.
Materiality plays a central role in this exploration. Layered surfaces, textures, and embedded elements carry traces of accumulation and transformation, grounding each work in a tactile reality. Paint is not simply applied, but built, often interacting with materials that interrupt, extend, or deepen the surface. Color operates as both structure and sensation, shifting across the exhibition in varied tones, guiding the emotional cadence of the viewer’s experience.
Across the exhibition, these works invite close looking and sustained engagement. Subtle shifts in tone, density, and surface reveal themselves over time, encouraging viewers to move beyond first impressions and into a more contemplative encounter. The interplay between control and spontaneity, structure and disruption, reflects not only artistic process but also the broader conditions of the present moment.
Rather than offering fixed meanings or definitive conclusions, Where It Lands creates a space for contemplation and wonder. It invites viewers to slow down and engage abstraction as a site where meaning and emotion remain in dynamic relation. Here, interpretation is not prescribed but discovered, shaped by the work itself and the lived experiences we bring to it.
Dr. Lauren Davidson
Curator, Where It Lands: The Space Between
Dina AZ. Salem
Mirroring Collision, 2026
Acrylic on attached canvases
36" x 48"
$3000
Artist
Biographies
Artist
Michèle Colburn
-
Michèle Colburn (American/Swiss, b.1953, Washington, DC) is a multi-disciplinary artist who lives and works in Washington, DC.
Colburn received a B.A. in Art History from Franklin & Marshall College in Lancaster, PA, and an MFA in Studio Art and an art teaching certification from American University. She has been an adjunct art instructor for Arlington Art Center, American University, and Marymount University.
She has received several artist grants and fellowships from the DC Commission on the Arts and Humanities in 2021, 2023, and 2024, and from the Puffin Foundation, Vermont Studio Center, and American University.
Colburn has had multiple solo exhibitions in Washington, DC. Her first was with Charles Krause Reporting Fine Art, 2015; MOCA Arlington, 2016; George Mason University’s Founder’s Gallery, 2025/26; and an international solo online exhibition with Ronewa Art Projects, Berlin, in 2020 at the height of COVID. She has participated in juried and invitational group exhibitions throughout the mid-Atlantic, New York City, and Los Angeles.
Her works are included in the DC Commission of the Arts and Humanities Art Bank, the International Peace Museum in Dayton, OH; The Fletcher Foundation in Johnson, TN; and the Barlow Gilotty Collection in Washington, D.C.
Artist
Charles Jean-Pierre
-
Charles Philippe Jean-Pierre is a Haitian American artist groomed on Chicago’s South Side. He is currently an adjunct professor at Howard University in Fine Arts and holds an M.F.A. from American University. As a U.S. State Department Art in Embassies Artist, his work is now in the permanent collection of the U.S. Embassy in Cotonou, Benin, West Africa. He was a President Obama White House invitee for the role of art education in promoting national youth justice. Jean Pierre has participated in two Asian Pacific American Smithsonian exhibitions and has exhibited with the International Monetary Fund headquarters in Washington, D.C. His work has been highlighted by numerous media outlets, including The Washington Post, Ebony Magazine, Black Enterprise, NHK Japan, The Village Voice, BET, NBC, Netflix, and FOX.
Jean-Pierre has guest lectured at Stanford University regarding a positive vision of Haiti through the Mamelodi Project. He was named one of the top five art educators by the District of Columbia and served as a creative communication instructor for Alvin Ailey Chicago. Jean-Pierre is the former National Arts Director for the Young and Powerful group and served on the board of the Diaspora of African Women’s Network (DAWN). Jean Pierre holds a Master's of Arts from Howard University and has created public art murals all over the world.
Artist
Bryan Jernigan
-
Jernigan is an internationally collected, national award-winning artist who works primarily in acrylic, pastel, mixed media and oil.
He regularly offers workshops around the U.S. (Hudson River Valley Art Workshops in Greenville, NY, Artists Rising in Glastonbury, CT and PaintSpace NOLA in New Orleans) and has taught classes for more than 15 years through various arts organizations in the Washington, D.C. metro area including the Art League of Alexandria, the Arlington Artists Alliance, the Yellow Barn at Glen Echo Park, the Vienna Arts Society, McLean Project for the Arts, Falls Church Arts, Fairfax Art League.
His work is held by public and private companies and individuals in the U.S., France, the United Kingdom, Brazil and Japan.
More recently, he has been tapped as a juror for many art shows in the area and has taken small groups on painting trips to countries including France, Scotland, Mexico, Spain, Canada and will be headed to Morocco in 2027.
Visit his website at www.bryanjernigan.com for more information.
Artist
Nolan Noble
-
Nolan is a DMV-area artist based in Arlington, Virginia, whose work transforms reclaimed denim into abstract paintings and installations. Through processes of cutting, washing, and painting worn jeans, Nolan excavates traces of lives embedded in the material, revealing patterns of wear shaped through years of use.
In Nolan’s work, denim is both material and collaborator. The fraying, textures, and structural qualities of the fabric guide each composition, allowing the histories embedded in the cloth to emerge within the finished piece.
Nolan also maintains The Denim Stories Project™, an ongoing archive complementing the studio practice by collecting personal reflections about the jeans people have worn throughout their lives.
Artist
Dina AZ. Salem
-
Dina AZ. Salem, born in Alexandria, Egypt, is a Washington, DC–based abstract artist whose work explores themes of healing, resilience, and transformation. She signs all her artwork with the initials of her late father, Ahmed Zaki, honoring the person who first encouraged her artistic practice.
Her work has been featured in solo exhibitions including /mend/ (2023) and Here, but not here (2021) at Homme Gallery in Washington, DC, and in group exhibitions including Traces (2025) at IA&A at Hillyer, Umbrella Art Fair (2025), Exchange 2024 at the Academy Art Museum, and Artists’ Choice: Regional Juried Group Show at Foundry Gallery. She was a member of Sparkplug Collective 2024 at DC Arts Center and served as a panelist for the DC Commission on the Arts and Humanities’ Projects, Events, and Festivals (PEF) Grant Program in 2025.
Curator
Biography
Curator
Dr. Lauren Davidson
-
Dr. Lauren Davidson is an independent curator and founder of Museum Nectar Art Consultancy, a practice dedicated to elevating the voices of emerging and mid-career artists. Her curatorial work spans a diverse range of contemporary practices, with a particular focus on fostering meaningful dialogue around material, memory, and the evolving dimensions of the Black experience within a broader artistic landscape.
Davidson has curated a range of notable exhibitions, including Bria Edwards: What We Do We’ve Always Done at the Julio Fine Arts Gallery of Loyola University Maryland (2026), and the critically acclaimed Solace & Sisterhood, presented at the University of Maryland’s David C. Driskell Center (2025) and the Museum of Contemporary Art Arlington (2024), featuring artists Evita Tezeno, Amber Robles-Gordon, and Lavett Ballard. Additional projects include [IR]REVERENT at the DC Arts Center (2025), Chosen Family at Brentwood Arts Exchange (2024), and The Ties That Bind and Zero Dollar Bill: The Prints of Imar Lyman at IA&A at Hillyer (2022).
Alongside her curatorial practice, Davidson leads an art advisory business, guiding private and corporate clients in building thoughtful collections. She collaborates with organizations including Tephra Institute of Contemporary Art, the IA&A at Hillyer Advisory Committee, and the D.C. Commission on the Arts and Humanities.
A multihyphenate professional, Davidson holds degrees from Cornell University (B.S.), the University of Florida (D.V.M.), and Johns Hopkins University (M.A., Museum Studies). She also maintains a distinguished career in biomedical research, bringing a unique interdisciplinary perspective to her curatorial work.
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2438 18th St. NW
Washington, DC 20009
We’re located on the second floor of the building on 18th St. NW above Mola Empanada and Shiva Tobacco. We’re next to Code Red and located across the street from Tryst and Grand Central. We’re the center door on the ground floor. Our closest two intersections are 18th St. and Columbia Rd. NW, or 18th St. and Belmont Rd. NW.
Street parking is notoriously limited. Colonial Parking, a private paid garage, is located on 18th St. NW behind Van Leeuwen Ice Cream.
Nearest Metro Station
Woodley Park-Zoo/Adams Morgan (Red Line)
Dupont Circle (Red Line)
Columbia Heights (Green/Yellow Line)
Metrobus Routes
Bus Stops at 18th St. & Columbia Rd. NW
C51, C53, D72, D74