MAIN GALLERY
The DC Arts Center Presents

Where It Lands:
The Space Between

June 12 – July 9, 2026
Wednesday - Sunday 2:00 PM - 7:00 PM

Opening Celebration
Friday, June 12, 2026
7:00 - 9:00 PM

Artist Talk & Curatorial Tour
Saturday, June 27, 2026
3:00 - 5:00 PM

RSVP Today!

Closing Reception
Thursday, July 9, 2026
6:00 - 7:00 PM

Nolan Noble
#86, 2025
Acrylic with acrylic wash on bleached denim harvested from jeans with denim remnants
30” x 40" x 3"
$5000

Curated by

Dr. Lauren Davidson

Work by

Michèle Colburn
Charles Jean-Pierre
Bryan Jernigan
Nolan Noble
Dina AZ. Salem

Quick Links

About the Exhibition


Where It Lands: The Space Between
brings together a group of contemporary artists whose practices move between abstract painting and materially layered surfaces, creating works that are as tactile as they are visually immersive. Across the exhibition, paint is built, interrupted, and extended, interacting with embedded materials, fragments, and textures that transform the canvas into a site of accumulation and presence.

Working within a moment shaped by societal uncertainty, the artists resist the urge to resolve or define. Instead, their works dwell in ambiguity, offering abstraction as a language through which emotion can surface without constraint. A canvas may reveal veils of translucent color interrupted by raw, collaged elements—paper, fabric, or industrial materials—that disrupt the illusion of flatness and insist on the work’s physicality. Elsewhere, dense, gestural marks accumulate into fields of color that feel both charged and restrained, suggesting states of urgency, reflection, or quiet unrest.

Color operates as a connective force throughout the exhibition, guiding the viewer through shifting emotional registers. In some works, soft tonal gradients create a sense of atmospheric calm, while in others, saturated hues collide or bleed into one another, producing visual tension and movement. These chromatic decisions are not merely aesthetic; they carry emotional weight, shaping how each work is experienced and felt.

Materiality further anchors the exhibition. Surfaces are layered, scraped, and reworked, revealing traces of process and time. The inclusion of varied materials—whether subtle or pronounced—extends the language of painting, blurring the line between image and object. These works invite close looking, asking viewers to consider not only what is seen, but how it is constructed. Begging answers to the questions: Is there a past? Is there a future? What lies in the space between them and the art?

Rather than offering fixed narratives or definitive meaning, Where It Lands: The Space Between creates a space for contemplation and wonder. It encourages viewers to move slowly, to sit with what resists immediate understanding, and to engage with abstraction as a deeply human and responsive form. In this space between meaning and emotion, each encounter becomes personal—shaped by memory, sensation, and the quiet act of looking.

Charles Jean-Pierre
Black Skin White Mask II, 2025
Acrylic collage on canvas
30” x 30”
$8000

June 12 – July 9, 2026
Wednesday - Sunday / 2:00 PM - 7:00 PM

MAIN GALLERY / The DC Arts Center Presents

Where It Lands:
The Space Between

Curated by

Dr. Lauren Davidson

Location

Images

Shop

Catalogue

Press Release

Quick Links

Charles Jean-Pierre
Black Skin White Mask II, 2025
Acrylic collage on canvas
30” x 30”
$8000

Work by

Michèle Colburn
Charles Jean-Pierre
Bryan Jernigan
Nolan Noble
Dina AZ. Salem

Nolan Noble
#86, 2025
Acrylic with acrylic wash on bleached denim harvested from jeans with denim remnants
30” x 40" x 3"
$5000

Opening Celebration
Friday, June 12, 2026
7:00 - 9:00 PM

Artist Talk & Curatorial Tour
Saturday, June 27, 2026
3:00 - 5:00 PM

RSVP Today!

Closing Reception
Thursday, July 9, 2026
6:00 PM - 7:00 PM

About the Exhibition


Where It Lands: The Space Between
brings together a group of contemporary artists whose practices move between abstract painting and materially layered surfaces, creating works that are as tactile as they are visually immersive. Across the exhibition, paint is built, interrupted, and extended, interacting with embedded materials, fragments, and textures that transform the canvas into a site of accumulation and presence.

Working within a moment shaped by societal uncertainty, the artists resist the urge to resolve or define. Instead, their works dwell in ambiguity, offering abstraction as a language through which emotion can surface without constraint. A canvas may reveal veils of translucent color interrupted by raw, collaged elements—paper, fabric, or industrial materials—that disrupt the illusion of flatness and insist on the work’s physicality. Elsewhere, dense, gestural marks accumulate into fields of color that feel both charged and restrained, suggesting states of urgency, reflection, or quiet unrest.

Color operates as a connective force throughout the exhibition, guiding the viewer through shifting emotional registers. In some works, soft tonal gradients create a sense of atmospheric calm, while in others, saturated hues collide or bleed into one another, producing visual tension and movement. These chromatic decisions are not merely aesthetic; they carry emotional weight, shaping how each work is experienced and felt.

Materiality further anchors the exhibition. Surfaces are layered, scraped, and reworked, revealing traces of process and time. The inclusion of varied materials—whether subtle or pronounced—extends the language of painting, blurring the line between image and object. These works invite close looking, asking viewers to consider not only what is seen, but how it is constructed. Begging answers to the questions: Is there a past? Is there a future? What lies in the space between them and the art?

Rather than offering fixed narratives or definitive meaning, Where It Lands: The Space Between creates a space for contemplation and wonder. It encourages viewers to move slowly, to sit with what resists immediate understanding, and to engage with abstraction as a deeply human and responsive form. In this space between meaning and emotion, each encounter becomes personal—shaped by memory, sensation, and the quiet act of looking.

June 12 – July 9, 2026
Wednesday - Sunday / 2:00 PM - 7:00 PM

MAIN GALLERY / The DC Arts Center Presents

Where It Lands:
The Space Between

Curated by

Dr. Lauren Davidson

Quick Links

Work by

Michèle Colburn
Charles Jean-Pierre
Bryan Jernigan
Nolan Noble
Dina AZ. Salem

Nolan Noble
#86, 2025
Acrylic with acrylic wash on bleached denim harvested from jeans with denim remnants
30” x 40" x 3"
$5000

About the Exhibition


Where It Lands: The Space Between
brings together a group of contemporary artists whose practices move between abstract painting and materially layered surfaces, creating works that are as tactile as they are visually immersive. Across the exhibition, paint is built, interrupted, and extended, interacting with embedded materials, fragments, and textures that transform the canvas into a site of accumulation and presence.

Working within a moment shaped by societal uncertainty, the artists resist the urge to resolve or define. Instead, their works dwell in ambiguity, offering abstraction as a language through which emotion can surface without constraint. A canvas may reveal veils of translucent color interrupted by raw, collaged elements—paper, fabric, or industrial materials—that disrupt the illusion of flatness and insist on the work’s physicality. Elsewhere, dense, gestural marks accumulate into fields of color that feel both charged and restrained, suggesting states of urgency, reflection, or quiet unrest.

Color operates as a connective force throughout the exhibition, guiding the viewer through shifting emotional registers. In some works, soft tonal gradients create a sense of atmospheric calm, while in others, saturated hues collide or bleed into one another, producing visual tension and movement. These chromatic decisions are not merely aesthetic; they carry emotional weight, shaping how each work is experienced and felt.

Materiality further anchors the exhibition. Surfaces are layered, scraped, and reworked, revealing traces of process and time. The inclusion of varied materials—whether subtle or pronounced—extends the language of painting, blurring the line between image and object. These works invite close looking, asking viewers to consider not only what is seen, but how it is constructed. Begging answers to the questions: Is there a past? Is there a future? What lies in the space between them and the art?

Rather than offering fixed narratives or definitive meaning, Where It Lands: The Space Between creates a space for contemplation and wonder. It encourages viewers to move slowly, to sit with what resists immediate understanding, and to engage with abstraction as a deeply human and responsive form. In this space between meaning and emotion, each encounter becomes personal—shaped by memory, sensation, and the quiet act of looking.

Opening Celebration
Friday, June 12, 2026
7:00 - 9:00 PM

Artist Talk & Curatorial Tour
Saturday, June 27, 2026
3:00 - 5:00 PM

RSVP Today!

Closing Reception
Thursday, July 9, 2026
6:00 PM - 7:00 PM

Charles Jean-Pierre
Black Skin White Mask II, 2025
Acrylic collage on canvas
30” x 30”
$8000

Where It Lands brings together artists working across abstraction and assemblage, whose practices converge through a shared engagement with color, materiality, and emotional resonance. Moving between abstract painting and subtly constructed surfaces, these works expand the language of the canvas, layering paint with diverse materials to create compositions that hold both visual and tactile depth.

Emerging within a moment defined by widespread uncertainty—social, political, and personal—these works reflect varied responses to instability. The artists move between resisting and pursuing definition, some embracing ambiguity, while others seek to give form to what feels unresolved. In this way, abstraction becomes both a space of openness and a means of articulation, allowing complexity and emotional nuance to coexist.

Materiality plays a central role in this exploration. Layered surfaces, textures, and embedded elements carry traces of accumulation and transformation, grounding each work in a tactile reality. Paint is not simply applied, but built, often interacting with materials that interrupt, extend, or deepen the surface. Color operates as both structure and sensation, shifting across the exhibition in varied tones, guiding the emotional cadence of the viewer’s experience.

Across the exhibition, these works invite close looking and sustained engagement. Subtle shifts in tone, density, and surface reveal themselves over time, encouraging viewers to move beyond first impressions and into a more contemplative encounter. The interplay between control and spontaneity, structure and disruption, reflects not only artistic process but also the broader conditions of the present moment.

Rather than offering fixed meanings or definitive conclusions, Where It Lands creates a space for contemplation and wonder. It invites viewers to slow down and engage abstraction as a site where meaning and emotion remain in dynamic relation. Here, interpretation is not prescribed but discovered, shaped by the work itself and the lived experiences we bring to it.

Dr. Lauren Davidson
Curator, Where It Lands: The Space Between

Dina AZ. Salem
Mirroring Collision, 2026
Acrylic on attached canvases
36" x 48"
$3000

From
The
Curator

From the
Curator

Where It Lands brings together artists working across abstraction and assemblage, whose practices converge through a shared engagement with color, materiality, and emotional resonance. Moving between abstract painting and subtly constructed surfaces, these works expand the language of the canvas, layering paint with diverse materials to create compositions that hold both visual and tactile depth.

Emerging within a moment defined by widespread uncertainty—social, political, and personal—these works reflect varied responses to instability. The artists move between resisting and pursuing definition, some embracing ambiguity, while others seek to give form to what feels unresolved. In this way, abstraction becomes both a space of openness and a means of articulation, allowing complexity and emotional nuance to coexist.

Materiality plays a central role in this exploration. Layered surfaces, textures, and embedded elements carry traces of accumulation and transformation, grounding each work in a tactile reality. Paint is not simply applied, but built, often interacting with materials that interrupt, extend, or deepen the surface. Color operates as both structure and sensation, shifting across the exhibition in varied tones, guiding the emotional cadence of the viewer’s experience.

Across the exhibition, these works invite close looking and sustained engagement. Subtle shifts in tone, density, and surface reveal themselves over time, encouraging viewers to move beyond first impressions and into a more contemplative encounter. The interplay between control and spontaneity, structure and disruption, reflects not only artistic process but also the broader conditions of the present moment.

Rather than offering fixed meanings or definitive conclusions, Where It Lands creates a space for contemplation and wonder. It invites viewers to slow down and engage abstraction as a site where meaning and emotion remain in dynamic relation. Here, interpretation is not prescribed but discovered, shaped by the work itself and the lived experiences we bring to it.

Dr. Lauren Davidson
Curator, Where It Lands: The Space Between

Dina AZ. Salem
Mirroring Collision, 2026
Acrylic on attached canvases
36" x 48"
$3000

Artist
Biographies

Artist

Michèle Colburn

Artist

Charles Jean-Pierre

Artist

Bryan Jernigan

Artist

Nolan Noble

Artist

Dina AZ. Salem

Curator
Biography

Curator

Dr. Lauren Davidson

 

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2438 18th St. NW
Washington, DC 20009

We’re located on the second floor of the building on 18th St. NW above Mola Empanada and Shiva Tobacco. We’re next to Code Red and located across the street from Tryst and Grand Central. We’re the center door on the ground floor. Our closest two intersections are 18th St. and Columbia Rd. NW, or 18th St. and Belmont Rd. NW.

Street parking is notoriously limited. Colonial Parking, a private paid garage, is located on 18th St. NW behind Van Leeuwen Ice Cream.

Nearest Metro Station
Woodley Park-Zoo/Adams Morgan (Red Line)
Dupont Circle (Red Line)
Columbia Heights (Green/Yellow Line)

Metrobus Routes
Bus Stops at 18th St. & Columbia Rd. NW
C51, C53, D72, D74